主演：布鲁诺·冈茨,伊莎贝拉·雷纳德,法布里齐奥·本蒂沃利奥,阿希莱亚斯·斯凯维斯,Lazaros,Andreou,伊利斯·查特托尼欧,Petros,Fyssoun,Eleni,Gerasimidou,米哈利斯·扬纳托斯,泽弥斯·古苏里斯,帕特罗斯·马可瑞斯,塔尼娅·帕拉依奥罗葛,Pemi,Zouni
导演：西奥·安哲罗普洛斯
简介：患有癌症晚期的诗人亚历山大（Bruno Ganz）在进医院等待死亡的前一天，想将一直陪伴其左右的狗交托自己的亲生女儿，遭到对方拒绝。女儿对自己处境的不了解，以及女婿打算将自己的祖屋卖掉，令亚历山大神伤不已黯然离开。 在亚历山大孤独地面对自己生命的最后一天时，太太安娜在世时的诸多生活片段、探望独自生活在疗养院中的年迈衰弱母亲的情形、花费大半生心血研究的19世纪诗人所罗穆斯等，一一以或真实或梦幻的形态与他会面，来助他解除对“明天会持续多久”的困惑。
主演：刘琼,吴茵,刘新,张弘,宋佳
导演：白沉
简介：台北一家私立医院林院长的儿子文祥。碍于父命，进山到一座与林家有世交的尼姑庵去温课。 一天傍晚，文祥正在洗浴，突然一女子一闪不见了，并扔下一句恼怒的训斥。这女子名叫素碧。日后，素碧在文祥面前总是一脸冰霜。 一天晚上，文祥来到浴室，正好素碧也在洗浴，他隔窗看见了她的玉体。当他们见面时文祥一句轻佻的话，招来素碧一记耳光。但文祥还是趁她不在时，把那只曾遭拒绝的小自鸣钟放在了桌上，并留下一封信。 几天后，他们又独处一室，索碧不小心从木梯上摔下来，倒在文祥怀中，一头乌发散落下来，文祥百思不解，经再三盘问，素碧道出真情。原来她因不能生育被夫家遗弃，才进清陀庵带发修行。面对悲苦无告的素碧，文祥一把将素碧揽在怀里，陶醉在两个人的世界中。几次约会之后，素碧怀孕了。她把前夫颜世雄约了出来，告诉他这一消息，那个男人恍然大悟。文祥向父母道明实情，遭到父亲的严厉责骂。颜世雄追到山上，要素碧跟他一起远走高飞，遭到素碧冷冷拒绝。师太得知后当面责备素碧的不轨，并警告她已触犯了庵规佛法，庵中再不能容身。师太拿出林父给的一叠钞票给素碧，素碧扭头愤然而去。此时，文祥又回到原来的女友身边，他象做了一场梦。素碧走出清陀庵，她仰望苍天，深感世界之大，竟无一个弱女子容身之地……
主演：林妙可,杨采妮,刘晓庆
导演：陈国新
简介：电影以“五彩呼伦贝尔合唱团”为背景，描写现代都市富有的一对母女来到大草原，遇到蒙古族老奶奶，整个的人生观因此改变的故事。尚于（杨采妮 饰），某外企经理。深信经济发达，是幸福奔向的唯一途径。初次婚姻失败，但习于以强悍为容的她，在他人面前极少流露柔情。面对金融海啸，她被委 派到呼伦贝尔，以考察为名，不择手段，也要找到合理原因，取消欠商业价值的文化项目。在这荒芜之乡，她吹毛求疵的性格令她痛苦不 堪，但女儿丁雨泽（林妙可 饰）从小朋友身上找回自已，发现了她的天堂，也与蒙古老奶奶红婆婆（刘晓庆 饰）建立了感情。母亲渐渐发觉自已多不了解女儿，却无意间听到小泽的歌声。在歌声里，听到截然不同的另一个小泽的形象：勇敢、奔放、快乐、自信。这天，小泽为救小羊而迷路，风雨交加，她躲在山岩下。红婆婆返回寻找小泽。在互相对唱的歌声里，红婆婆终于找到了已浑身湿透的小泽。尚于见红婆婆搂着发烧门小泽轻声吟唱着，被红婆婆和孩子们纯朴的歌声打动，在音乐中，她看清前面的人生道路，和自己的缺点，找回了自己久失的那份本真与快乐……
主演：阿尔伯特·芬尼,伊迪斯·伊万斯,肯尼思·莫尔,劳伦斯·奈史密斯
导演：罗纳德·尼姆
简介：A musical retelling of Charles Dickens' classic novel about an old bitter miser taken on a journey of self-redemption, courtesy of several mysterious Christmas apparitions.In 1860, cranky old miser Ebenezer Scrooge hates Christmas; loathes people and defends the decrease of the surplus of poor population; runs his bank exploiting his employee Bob Cratchit and clients, giving a bitter treatment to his own nephew and acquaintances. However, on Christmas Eve, he is visited by the doomed ghost of his former partner Jacob Marley that tells him that three spirits would visit him that night. The first one, the spirit of Christmas Past, recalls his miserable youth when he lost his only love due to his greed; the spirit of Christmas Present shows him the poor situation of Bob's family and how joyful life may be; and the spirit of Christmas Future shows his fate. Scrooge finds that life is good and time is too short and suddenly you are not there anymore, changing his behavior toward Christmas, Bob, his nephew and people in general.
主演：小杨天笑,方笑笑,顾月娥,张幻尔
导演：严恭
简介：1960年代初，国内各行各业纷纷向雷锋看齐，苏州一家名叫“得月楼”的餐馆亦不例外，服务员沈师傅（方笑笑）、小顾（顾月娥）等对顾客热情有礼、有求必应。但沈师傅的徒弟杨友生（小杨天笑），却认为“伺候人”很丢脸，经常会不耐烦地冲顾客发脾气，他一心想当“比服务员神气许多的工人”。沈师傅等人将他批评，他答应今后工作时会压一压火气。——餐馆另一位服务员老张（张幻尔）的工作态度，不好不坏介于中间。\r县商业局王科长（黄影）隐瞒身份来到“得月楼”体验生活，被分到杨友生一组，对于这位新来的同事老王，杨友生颇老道地传授经验：顾客都是臭脾气，若他们发火，万千要往下压。——王科长呵呵一笑，却是处处向沈师傅学习；杨友生火气压来压去，却是冲顾客火冒三丈。同事们劝他要微笑服务，他的近乎定格的夸张笑脸却接二连三吓跑顾客。杨母（丁凤英）认为儿子有了对象便会改掉臭脾气，托邻居悄悄给他介绍了个女孩，哪想女孩曾在“得月楼”吃饭时被他骂过。\r左不是右也不是令杨友生相当尴尬，他更想成为一名工人，尽管商业局还没批准他调换工作岗位，他已急不可耐地跑去找采茶厂的厂长表决心，没料厂长说起未来他可能的工作，竟不是采茶工人而是餐厅服务员。骑着单车回家的路上，杨友生越想越气，路遇的一大群鹅甚至也成了眼中钉，结果一不小心摔下单车，骨折。之后的看病经历、沈师傅所讲的新旧社会饭馆服务员地位的对比，令杨友生慢慢开始从自己身上找原因，而得知老王原是王科长、小顾原来有个“高官爸爸”时，他更加羞愧。
主演：塔蒂亚娜·罗乔,拉巴·纳伊·乌费拉,卡丽佳·图尔,Diabate,Idrissa
导演：瑟琳·席安玛
简介：马利梅（卡丽佳·图尔 Karidja Touré 饰）是一个特立独行的女孩，周围许多同龄人的所作所为在她看来都十分的幼稚，学校一成不变的学习生活也让她倍感无聊，无处不在的男权气息令马利梅几乎窒息。就在这个节骨眼上，马利梅结识了女孩帮——一个由三个充满了个性的独特女孩所组成的帮派。为了能够融入女孩帮，马利梅不惜改掉了名字，转变了穿衣风格，甚至退了学，开始从事盗窃等一系列违法犯罪活动。随着时间的推移，加入帮派的马利梅的心情从最初的激动转变为了犹疑，因为她逐渐发现，即使是在这里，她也无法寻找到她想要得到的那种自由。
主演：安娜·卡里娜,玛吉特·卡斯滕森,布里吉特·米拉,尤利·隆美尔,亚历山大·阿勒森,福尔克·施彭勒,安德里亚·舒伯,玛莎·梅赫勒
导演：赖纳·维尔纳·法斯宾德
简介：德国慕尼黑，丈夫克里斯特告别了妻子亚丽安娜（Margit Carstensen 饰）与瘸腿女儿安吉拉（Andrea Schober 饰），赴奥斯陆公干，但他在半路中转，约会了情人并将其带到自己的乡间别墅。但他意外发现亚丽安娜与情人——自己的助手早已抵达别墅偷情，四人很快在尴尬的气氛中回过神来，坐到了一张桌子上享用晚餐。负责照料别墅的卡斯特与加百列母子注视着四人，内心各有不同的触动。当天夜里，安吉拉在保姆的陪伴下亦抵达别墅，她的出现让亚丽安娜为其腿疾绷紧的神经再次拉紧，气氛一时僵硬。第二天夜里，安吉拉组织别墅里的所有八人进行一场叫做“中国轮盘赌”的问答游戏，分成两组的八人互相提问作答，牵出了各自内心隐藏的秘密。
主演：伊恩·麦克莱恩,布兰登·费舍,琳恩·雷德格瑞夫,洛丽塔·大卫多维奇,大卫·杜克斯,凯文·J·奥康纳,马克·基利,杰克·普罗特尼克,罗莎琳·艾尔斯,杰克·贝茨,泰德·巴勃考克,Cornelia,Hayes,O'Herlihy,Brandon,Kleyla,帕梅拉·萨勒姆,大卫米伯尔尼,马丁·费雷罗,杰西·詹姆斯,丽萨·达尔,贾德森·米尔斯,约翰·盖汀斯,柯蒂斯·哈灵顿,詹姆斯·勒塞纳
导演：比尔·康顿
简介：本片讲述好莱坞著名大导演詹姆斯·威尔（伊安·麦克莱恩 Ian McKellen 饰）1957年的最后人生。这位创造影史最惊悚角色“科学怪人”的导演已淡出电影界， 正潜心研究绘画，闲时仍与一些男子频频约会。当管家汉娜（琳恩·雷德格瑞夫 Lynn Redgrave 饰）录用了新园丁、身强力壮的前海军陆战队成员布恩（布兰登·费舍 Brendan Fraser 饰）后，威尔的兴趣渐渐全部转移到布恩身上。威尔象一只爬向苍蝇的蜘蛛一样一点点接近布恩，引领后者一步步走进精心设计的圈套。原来威尔虽然已停止拍片，但自从见到布恩后，他发现布恩同自己片中的主角弗兰肯斯坦极为相似——不善言辞、单纯质朴且难以理解。威尔感到自己无法冷却心中的热爱，只有布恩才能解除他的痛苦，他的计划就是诱使布恩最终杀死他本人，从而得以亲手实现一生中最完美的电影情节......本片通过年老好莱坞名导与年轻园丁的微妙接触，以及由此触发过往回忆的碎片，娓娓刻画奇妙而复杂的同性情愫，勾勒出一个友谊、尊重、爱恋、抗拒、厌恶、恐惧等情感荡涤的世界。影片不断穿插《科学怪人》的电影画面和台词，它巧妙地暗合了同性恋与科学怪人共同的被歧视性地位和恐惧处境。导演戏谑而平静的虚实铺陈出一位同性恋导演的最后生命旅程，堪称黑色喜剧的杰作。《众神与野兽》获当年奥斯卡最佳改编剧本奖，同时入围最佳男主角、最佳女配角。本片也是以“甘道夫”形象风靡世界的伊安·麦克莱恩爵士演艺生涯中最重要也是最出色的一次演绎。
主演：Jozef,Malesa
导演：克日什托夫·基耶斯洛夫斯基
简介：A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.
主演：西尔维·泰斯蒂,塔季扬娜·特里布,埃马努埃勒·拉博里,西比勒·卡诺尼卡,马蒂亚斯·哈比希,汉萨·奇平卡,多丽丝·沙德,霍斯特·扎赫特勒本
导演：卡罗莉内·林克
简介：在姑姑克拉丽莎（Sibylle Canonica 饰）的影响下，女孩拉拉（西尔薇·泰斯图德 Sylvie Testud 饰）对演奏黑管产生了兴趣，以音乐为契机，拉拉和克拉丽莎之间的关系越来越亲密。面对这一现象，拉拉的父亲马丁（Howie Seago 饰）的内心十分的复杂，因为他和克拉丽莎之间的关系并不和睦。一转眼十年过去了，拉拉在音乐方面的成就和天赋为她赢得了前往专业音乐学院深造的机会，在克拉丽莎的建议下，她决定搬去柏林与姑姑同住。拉拉的这一决定在家里掀起了一场狂风暴雨，尽管父母都表示了强烈反对，但固执又任性的拉拉依旧我行我素。母亲的去世让拉拉一下子成熟了起来，一番波折后，她终于领悟了家庭和亲情的重要。
主演：法尔克·亨特切尔,索菲亚·波多拉,乔治·山普森,斯蒂芬妮·阮,黛尔菲恩·阮,尼克·特拉,伊丽莎白·迪·卡洛,塞缪尔·雷维尔,政井海人,奈迪·玛-塞鲁,布莱斯·拉里厄,亚凯·奥赛,梅克尔·方兹,汤姆·康蒂,克里斯托弗·托勒,尼古拉斯·斯图尔特,约翰·达根,耶斯·利奥丹,Ali,Ramdani
导演：马科斯·吉瓦,丹妮亚·帕斯奎尼
简介：艾什（法尔克·亨特施尔 Falk Hentschel 饰）和艾迪（乔治·山普森 George Sampson 饰）决定参加街舞比赛，为了组建团队，他们前往世界各地，寻找志同道合的优秀舞者们。在法国，艾什邂逅了名为艾娃（索菲亚·宝特拉 Sofia Boutella 饰）的女子，她曼妙的舞姿一下子就吸引了艾什的注意。 艾什和艾娃都是个性强烈的人，因此两人在相处之中产生了很多的冲突，这导致他们之间起了误会。艾娃想要邀请艾什参加斗舞，遭到了艾什的拒绝，这令艾娃感到非常的伤心，也意识到，自己对艾什已经产生了感情。街舞比赛即将开始了，艾什和艾迪因为迟到而被取消了资格，最终，艾什通过自己的努力重新为自己争取到了参赛资格，此时恰好艾娃也赶到了现场，两人冰释前嫌，共同献上了一支震撼众人的完美舞蹈。
主演：李铁,马晓晴,肖竹,张贵鑫,赵雍
导演：李耿,贝聿成
简介：暑假夏令营活动开始，初中学生金华由于忍受不了长途跋涉，在他的小朋友"飞车队员"二宝的引诱下，私自离开了队伍，同二宝去观看"飞车表演"。二宝将金华介绍给"飞车皇后"女青年林惠珠。当林惠珠得知金华父亲是港务局长时，便主动吸收他为"飞车队员"。金华被林惠珠的花言巧语所蒙骗，回到云海港向爸爸说明了要买一辆漂亮轻骑的理由。当父亲了解到金华私自脱离了夏令营队伍并参加了"飞车队"时，大为吃惊。他耐心劝导金华，一定要追上队伍去参加夏令营的航模表演。临行时，他送给金华一块带洞的银元当做证明，让他沿路到几个地方歇脚、住宿。金华来到第一站铁奶奶家，受到热情接待。铁爷爷向金华讲述了银元的故事：当年金华爷爷为保护乡亲同敌人斗争，英勇牺牲。金华的爸爸就是拿着这块做联络暗号用的银元找到了游击队，消灭了敌人，解救了乡亲们。金华又来到第二站志平家。这个当年游击队长的儿子，竟整天无所事事，一味追求享受。金华急着要赶路，志平让他给林惠珠带去一辆轻骑，并暗中将一包东西塞进油箱里。金华骑车上了路，不料半路摔坏了轻骑。又累又渴的金华来到瓜地，偷摘了一个西瓜。看瓜的姑娘不容情，金华只好把那块银元当做抵押。第三站是当年的老交通周老大家。没想到看瓜的小姑娘就是周爷爷的孙女海萍。金华向周爷爷承认了自己的错误，并取得了海萍的谅解。轻骑没按时送到林惠珠那里，志平找到周老大家，碰上金华，可他偷藏在油箱里的走私物品，却早已被帮助修车的周老大发现。志平害怕周老大把他送到父亲那里，吓得悄悄地溜走了。这时，夏令营的队伍已来到目的地鹰嘴岛。老师在聘请周爷爷讲革命传统的同时，见到了金华，同学们热情地欢迎他归队。在夏令营航模表演就要开始时，志平将金华骗走带到一个山洞里，他伙同林惠珠对金华进行威逼和恐吓，事实教育了金华，他勇敢地与他们搏斗。正危急时刻，老师和同学们赶到解救了金华。精彩的航模表演开始了，金华小组取得胜利。金华庄严地走到主席台前，将那块银元交给特意赶来参加大会的爸爸。港务局长又将银元送给学校夏令营留作纪念。蔡老师激动地接过银元，向全体师生宣布："这块不平凡的银元凝结着老一辈革命先烈的鲜血，在向四化进军的今天，它仍然是一件非常珍贵和有意义的礼物！"
主演：Thaveeratana,Leelanuja,Prapamonton,Eiamchan,Sorabodee,Changsiri,Wanlop,Rungkumjad
导演：扎克拉瓦·尼尔蒙罗
简介：1960年代的泰國小鎮，冷戰的緊張氣氛蔓生，在軍政府獨裁統治下，不同政治立場的人們只能另闢蹊徑。家中經營鐘錶店的小梅，同時受到兩位性格南轅北轍的男性青睞，一位是善良但懦弱的人力車伕，另一位則是神采飛揚的軍官。半世紀後，車水馬龍的曼谷，當年倜儻的軍官成了臥病在床的昏庸將軍，小梅因無情的生命境遇歷盡滄桑。回望那段似水年華的時光，人生一切歡快、遺憾、憂傷與恐懼交織，眼前的場景卻未曾走出命運的輪迴。 導演揉合泰國著名作家查勾吉蒂的小說〈時間〉，以及自身家族經歷，將光陰解剖切片，以影像穿越時間，呈現女性角色面對時代環境的心境轉變。牆上未曾止歇的指針齒輪，滴答滴答地道出時光流轉，揭露政治的醜態、現實的殘酷，探討生命的本質，以及存在的意義。
主演：路易·德·菲奈斯,让·马雷,米琳娜·德蒙若,
导演：安德烈·于纳贝尔,
简介：After the tremendous popular success of theFant?mas novels, both of the major Frenchfilm studios — Pathé and Gaumont —vied for the rights to produce films basedon the series. Gaumont won, and fromApril 1913 to May 1914 Louis Feuilladedirected five Fant?mas films which criticDavid Thomson has described as quot;the firstgreat movie experience.quot;
主演：凯文·史派西,达拉斯·罗伯特斯,杰克·休斯顿,贝尔·詹姆斯,Andrew,Sibner,罗宾·威廉姆斯
导演：乔纳斯·佩特
简介：本片是托马斯·墨菲特独立编剧的第一部作品。 住在洛杉矶颇有名气的心理医生亨利·卡特(凯文·史派西 Kevin Spacey 饰)，拥有众多需要帮助的高级病人，并且人数在逐渐增多，其中包括：已经过气的好莱坞女明星，滑稽的且有着严重强迫症迹象的经纪人，毫无安全感而言的畅销惊悚小说的作家等。与此同时，亨利还作为本地作为著名的心理专家而主持着一个最受欢迎的心理咨询的广播节目，对于他而言，仿佛全世界在这个特殊的时代里都存在严重的心理问题。然而，作为心理高手的他自己，也正遭遇着和很多人同样的麻烦。无论是包括私生活在内的家庭里，还是在公共社交以及与人交往中，总有些不如意的时候。身为心理医生的他却对于自己身上发生的悲剧毫无应对能力，只能沉溺于大麻的吸食中……
主演：石挥,丹尼,崔超明,俞仲英
导演：黄佐临
简介：抗日战争时期，一个青年女子由于追求物质享受而堕入敌特组织，干了一系列特务勾当。最后，当她在临难不屈的共产党员的精神感召下，有所觉悟时，却被敌人杀死。影片根据茅盾同名小说改编。在40年代后期，影片编导曾计划把作家茅盾这一创作于40年代初并在当时产生广泛影响的作品搬上银幕，因政治环境不允许未能实现。上海解放后，文华影业公司将其列为重点剧目投入摄制。影片对女主人公赵惠明的处理，创作者曾经过认真考虑。赵惠明是特务，又是失足者。她是个思想性格复杂、内心冲突激烈的人物。影片于1950年冬上映，受到观众欢迎。不久报刊有文章提出影片对赵惠明“过于同情”的批评，认为与当时正在开展的镇压反革命运动方针政策不相吻合。影片即不予放映。
主演：内详
导演：居伊·德波
简介：Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned "subjective profundity". They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone): Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1: They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole "” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2: "Our life is a journey "” In the winter and the night. "” We seek our passage..."?Voice 1: The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2: There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl): No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1: The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2: One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1: When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment "ordinary life"? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant: nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2: The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3: The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1: In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2: Years, like a single instant prolonged to this point, come to an end.Voice 1: What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2: The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?Voice 3: What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2: Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1: Really hard to drink more.Voice 2: Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation "” poor and false like this botched traveling shot.Voice 3: There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments? The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2: In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the point?Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：贾石头,刘蓓,木合塔尔,许还山,寇占文,徐亚群,唐远之,拿加堤,朱艺丹,罗琪,蕴倚姆,石为,李增,刘少春,康景琪,张建立,张利华,王彤川,洪勇春,高晓瑞,王雷,周春伟,李强,郑春泉,宋兴国,李月江,杨世增
导演：张子恩
简介：2000年前，中国丝绸之路上著名的古国—楼兰神秘消失了，只留下一个千年难解的谜。20世纪30年代，考古学家文孝宸为探寻占楼兰踪迹，亲率考古队从北平再次赴西域考察。一天，文教授与日本学者安滕发掘到一枚写着有关楼兰王安归夫人墓地线索的木简。他们的举动一直都被沙漠悍匪“黑风”的头目马占魁注视着。马曾因盗墓而被文教授赶出了考古队。风暴骤起，考古队开始撤退，归途中，考古队遭劫，队员们被“黑风”残酷杀害。文教授因拒不交出木简而被埋进沙土里，幸为大漠游侠彭仲雄所救。彭与马不共戴天，从此，彭全力保护文教授。两月之后，安滕返回南京，资助考古队的日本浪人责令安滕再下楼兰，并派人赴疆追劫文教授，妄图独霸木简。此时，文教授之女文兰也赶到了楼兰。马占魁发现了教授行踪，又策划了一场新的阴谋。彭仲雄护送文氏父女回北平途中遭到日本忍者的堵截，木简也被“黑风”抢走。文教授决定再踏楼兰的死亡之路，抢先解开楼兰之谜。马占魁猜中文教授所思，又在途中设下陷阱。古堡中，文氏父女和彭仲雄再次被“黑风”包围。格斗中，彭意外地发现了寻找多年的师弟田云鹏。田与彭联手拼杀“黑风”匪徒，匪徒落荒而逃。马占魁不死心，还在一次次堵截文教授一行，这天，匪徒又在奇形怪状的雅丹地区截住了文教授的去路。双方正在周旋。一匪徒向马占魁报告，日本人掘开了安归王后墓。马占魁立即向楼兰奔去。文教授一行闻讯也赶去楼兰，他终于见到了“九环神木”墓地，但安归夫人的木乃伊已不知去向，只余下安滕的尸体。文教授立即向马占魁匪巢——地宫闯去。马占魁在地下经营20年，将一切楼兰文物据为己有，自称“楼兰之王”。文兰见状怒火中烧，一场惊心动魄的激战开始了。地宫中烟火弥漫，文教授惨死于宝物前，田云鹏被暗器钉死在地道中，马占魁抱着安归夫人的干尸和地宫同归于尽。彭仲雄与文兰拼杀出来，目睹了这失而复得的楼兰再次消失……
主演：王艳梅,乔新峰
导演：寇淼
简介：本片根据计宗英老人真实事迹改编，讲述老人孝老爱亲高尚品德的感人故事。65年前，17岁的计宗英嫁到孙家，那年豆豆8岁，7岁因患天花失明。计宗英的细心与温柔得到了全家人的认可。计宗英答应公公嘱托，一定会照顾豆豆一辈子。计宗英的善良化解了儿子立冬与豆豆的矛盾，不甘成为立冬眼中废人的豆豆，放羊时因听收音机入神而丢了羊，心急寻找羊群却不慎掉下山崖摔断腿。本想死了一了百了。大雨夜计宗英和丈夫在山崖下找到受伤的豆豆，豆豆被计宗英的善举感动，从此亲切称呼计宗英为嫂娘，豆豆通过自己的努力，不但为自己捏好了骨，多年来也替村里乡亲捏骨。孙秉德去世之后，计宗英一如既往照顾孙豆豆，却招来村里人的闲话。计宗英不但没有退缩，而且还把劝她回娘家的弟弟推出了门，继续支撑着一个孙家。21世纪生活改善，孙立冬将计宗英和豆豆接到县城准备享受天伦之乐，但就在此时却发现孙豆豆已是胃癌晚期。不愿再拖累嫂娘的豆豆拒绝治疗，让嫂娘带自己回到老家。2018年1月，孙豆豆在弥留之际最后一次吃到嫂子做的搅团，亲口对嫂子说出了藏在心里几十年的感谢话，如果不是嫂娘，豆豆早就不在人世了。说完后豆豆永远闭上了眼睛。因为计宗英孝老爱亲的高尚品德，孙豆豆身残志不残的自强精神，整个白保村村民自发参与孙豆豆老人葬礼，将老人圆满送终。
主演：王宝强,倪大红,吴孟达,刘昊然
导演：唐季礼
简介：讲述了小混混西门得宝遭人暗算，搞得妻离子散，还成为了朝廷通缉的要犯，在陷入绝境之后，得宝被一个神秘的和尚搭救，为了洗清罪名，得宝开始了一场修炼之旅，而一场惊天阴谋也慢慢被揭开。
主演：潘长江,李明启,栾福仁
导演：杨世光
简介：郝三多是河东村年轻的村长，在他的带领下，河东村依靠科技兴农使村民的生活有了翻天覆地的变化。而面对富裕起来的河东村，仅一河之隔的河西村却依然固守着传统的农业操作。在河西村村长老正确的眼里，种好地、多收粮永远是正确的，而河东村违背老传统的做法，对他来说是根本不能接受的，也正因此使他对郝三多非常反感。可三多却与老正确的女儿—美丽善良的小玉相爱着，这又违背了河东村与河西村互不通婚的老传统。为此，老正确费尽心思，从中作梗……这可愁坏了热情爽直的三多妈，为了儿子的幸福生活，三多妈亲自出马去找老正确。在她的劝导下，老正确的老脑筋竟也有所转变，当他看到了农业实验基地的高科技成果，以及河东村富足美好的生活后，才真正地感到自己的旧思想必须要有新认识了……为了推广农业科技，把成功致富的经验介绍给大家，郝三多把每年村里举行的传统的丰收庙会改办为农业科技大集，吸引了十里八乡的老百姓。而今年在乡技术推广站乔站长的建议下，河东村准备举办大型农民科技节，三多自筹资金聘请百名农业科技专家现场咨询、专业指导……在大家的共同努力下，科技节取得了巨大的成功，光与外商签定的合作项目就给村里吸引了上千万元的资金，而小玉与三多的婚事更是喜上加喜。面对这美满喜人的结局和充满希望的幸福生活，每个人的心里都荡漾着一句话：“明天，我爱你！”
主演：潘虹,傅艺伟,姜文,正华,刘威
导演：陈家林,孙清国
简介：民国十一年，溥仪（姜文 饰）与婉容（潘虹 饰）结婚。1932年，溥仪与婉容在日寇挟持下来到长春伪满洲国“执政”，做起了日本人的傀儡。由于受人挟持与监视，溥仪的日子不好过，婉容更是度日如年，她跟溥仪完全没有正常的夫妻生活，毎日靠吸食鸦片麻醉自已。她的苦衷引起侍卫李越亭（刘威 饰）同情，不久，二人越轨致婉容怀孕。太监李长安（正华 饰）发觉后密报溥仪，溥仪闻讯雷霆大怒，他把婉容打入冷宫，并把李越亭折磨致死，婉容知道后精神失常。数日后，溥仪迎娶中学生谭玉玲（傅艺伟 饰），并封其为“祥贵人”。但生性正直的谭玉玲这时却引起了日本人的注意......
主演：陈江南,何倩,李光复
导演：张郁强
简介：贾里（陈江南 饰）是一个非常平凡，又略带调皮的男孩。贾里有一个妹妹名叫贾梅（何倩 饰），贾梅参加了学校里的艺术团，想要在校庆上大放光彩，贾里决定帮助妹妹完成她的心愿，哪知道最后却帮了倒忙，使得贾梅出尽了洋相。 鲁智胜（王湉 饰）是贾里的死党，为了帮助他戒烟，贾里又想出歪招，虽然达到了最终的目的，但也把鲁智胜折腾的够强。查老师（李光复 饰）因为贾里给班上女生起外号而对他进行了严厉的批评，不服气的贾里决定偷走查老师的教案，想让他在公开课上出丑，哪知道查老师完美的完成了课堂，这一壮举征服了贾里，让他对查老师言听计从。实际上，贾里内心里也有一个梦想，那就是竞选学校里的最佳男生。
主演：孙建明,孟传胜,乐韵,方化,李长勇
导演：罗烈
简介：孤儿悟性和慧清自幼由东山寺持慧远收留抚养，在寺院里长大成人，做了行者。神法和尚自恃地位甚高，为增强己方势力，强迫行者听经、练武、打坐参禅，待之如奴役。悟性不满，认为佛在人心，不必拘泥于形式，被神法斥为异端雅说。慧远年事已高，欲将住持之位传与他人，于是召集僧众，挑选继承人。悟性自认是晚辈，以德为重，与神法比武时有意相让，并做偈阐述佛法心得。慧远见悟性襟怀坦荡，对佛学亦有智慧见解，有意传位与他，但心知悟性所持新解难于在本寺立足，便将袈裟传给他，劝其离开本寺到南方发扬佛学新说。言罢，安危圆寂。神法久觑住持之位，得知悟性已得袈裟离去，恼羞成怒，派惠明追踪，又与官府勾结，拦截悟性。惠明追上悟性，拳脚相加，悟性退让，并晓以佛法，惠明被感化，告别悟性径往别山修行。悟性躲过官罕追踪，劳累过度，昏倒路旁，被猎户之女春兰救起。悟性休养数日，不顾春兰挽留，坚执南行。神法知慧清与悟性情谊深重，故意将他打伤监禁，使弟子慧山假意叛师，谢慧清逃走，然后暗中跟踪。慧清急与悟性会合。被神法跟踪而至。神法欲除掉悟性，夺回袈裟。悟性、慧清和春兰父女全力抵抗，击退神法等人，但春兰的父亲身亡，慧清重伤，悟性将春兰留下照料慧清。悟性来到宝林寺正式出家为僧。神法亲率众徒赶至宝林寺欲夺回袈裟。悟性为护法与神法恶斗，但手下留情，未伤及他性命，并告诫他应收敛心魔。神法自知已过，返回东山寺。悟性则留在宝林寺潜心于佛学新解。