主演：Danièle,Gaubert,Serge,Gainsbourg,Richard,Leduc
导演：Robert,Benayoun
简介：This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.
主演：布莱特妮·墨菲,马修·瑞斯,桑地亚哥·卡布瑞拉,艾略特·科万,格温妮斯·帕特洛,奥兰多·布鲁姆,斯蒂法妮·比彻姆,杰米·西弗斯
导演：阿莱克·凯西西恩
简介：贾克斯（布莱特妮•墨菲 饰）住在伦敦，是英国时尚杂志《VOGUE》的小助理，周围聚集着一堆时尚界、艺术界的朋友。她和最亲密的同性恋友人彼得(马修•瑞斯 饰)住在一起，和前男友詹姆斯分手后保持着肉体关系，她生活中最大的乐趣就是给自己的朋友当媒人，帮助他们处理感情上的各种问题。 一天，贾克斯认识了才华横溢、帅气性感的杂志新摄影师助理保罗（圣地亚哥•卡布瑞 饰），她想当然地要把保罗和彼得撮合在一起，展开了她的行动。 不过这个无厘头的丘比特似乎太忙于撮合别人的感情，而没有时间认真审视自己的情感。
主演：内详
导演：居伊·德波
简介：Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned "subjective profundity". They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone): Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1: They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole "” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2: "Our life is a journey "” In the winter and the night. "” We seek our passage..."?Voice 1: The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2: There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl): No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1: The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2: One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1: When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment "ordinary life"? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant: nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2: The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3: The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1: In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2: Years, like a single instant prolonged to this point, come to an end.Voice 1: What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2: The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?Voice 3: What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2: Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1: Really hard to drink more.Voice 2: Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation "” poor and false like this botched traveling shot.Voice 3: There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments? The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2: In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the point?Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Kaycie,Chase,克里斯多夫·勒莫因,Emmanuel,Curtil
导演：大卫阿拉克斯
简介：Life in Yolcos, a beautiful and prosperous port city in ancient Greece, is peaceful as the population is threatened by the wrath of Poseidon. A young, adventurous mouse and the cat she adopted, help, unbeknownst to them, old Jason and his Argonauts in their quest to save the city.
主演：福里斯特·惠特克,约翰·托尔梅,克里夫·戈曼,Dennis,Liu,Frank,Minucci,理查德·波特诺,翠西亚·维西,亨利·席尔瓦,Gene,Ruffini,弗兰克·阿多尼斯,维克多·阿尔果,达蒙·惠泰克,Kenny,Guay,Vince,Viverito,Gano,Grills,杰米·埃克托,查克·杰弗里斯,Vinny,Vella,伊萨赫·德·班克尔,Camille,Winbush,加利·法梅尔,Clebert,Ford,哈里·谢尔,罗伯特·菲茨杰拉德·迪格斯,斯科特·布莱斯,保罗·迪奥梅德
导演：吉姆·贾木许
简介：居住在新泽西的黑帮杀手“鬼狗”（Forest Whitaker弗雷斯特•惠特克 饰）身为非裔，却浸淫在日本武士道的精神世界里，“忠义”为其平生最高信条。他深居简出，不苟言笑，日常与老大靠飞鸽传书联系。鬼狗视老大路易（John Tormey 饰）如亲生父亲，接到命令后决不手软，手起刀落，血浆四溅。 孤独的他也有可以交心的朋友，闲暇时与公园买冰淇淋说法语的非裔聊聊天，各说各话，却也有趣；或与爱看书的小女孩交流品读《罗生门》的心得。 鬼狗活在自己的世界里，但周遭已发生巨大变化。终于有一天，他被路易抛弃，成为帮派倾轧的牺牲品……
主演：内详
导演：未知
简介：From 1987 to 2003, Michel Fourniret cemented his legacy as France’s most infamous murderer. But his wife was an enigma: Was she a pawn or a participant?
主演：西娅姆·阿巴斯,赛义德·艾尔·阿拉米
导演：Antoine,Chevrollier
简介：a four-part Star original mini-series examining the terrible true events of 5 December 1986, which led to the death of a young student, called Malik Oussekine. Centred on his family’s fight for justice, the series will explore the enormous impact that this high-profile case had on French society.
主演：保罗·达诺,佐伊·丹斯切尔,约翰·古德曼,爱德华·阿斯纳
导演：Emilie,Deleuze
简介：“苏菲在学校表现很好，妈妈很激动。杰西卡有她的男朋友，无论如何，她是杰西卡。我吗？我不知道。一片空白。我很烂。”他们都是疯子。她的父母想送她去寄宿学校。她的新老师希望她读不可能的旧书。她的乐队成员，让她唱着可笑的歌词，给她穿上白色的褶边裙子参加他们的首场演出。每个人似乎都知道她应该做什么，应该如何行动。13岁的奥罗尔在改变自己方面也没有任何根本性的问题。谁会希望自己变成这样:不快乐，丑陋，情感孤僻？但是对她来说，其他人似乎也没那么开心。她绝对不想变得像她妈妈一样又老又穷又孤独。因此，她更喜欢保持现状，观察并对遇到的任何事情发表尖锐的评论。柏林娜
主演：格雷戈瓦·勒普兰斯-林盖,达尼埃莱·莱布伦,格莱高利·嘉德波瓦,埃默琳·格,Nicolas,Bimont,Guy,Conrad,Nicole,David,Christiane,Guillon,Micheline,Levchin,Jacques,Treiner
导演：奥利维耶·特雷内
简介：阿德里安（Grégoire Leprince-Ringuet 饰）是一个学习钢琴已有15年之久的天才钢琴家，可是在梦寐以求的伯恩斯坦钢琴大赛上他功败垂成，人生跌落谷底。经过一段时间调整，阿德里安重新振作，成为了一名盲人钢琴调音师。事实上他只是带上了隐形眼镜，这会让别人认为他听觉方面更加敏锐，并由此得到更多的同情和消费，甚至还会窥视到别人的生活与隐私，他兀自沉浸在这种虽处闹市又仿佛置身世外的超然之中。某天，他来到一户人家工作，殊不知这里刚刚发生一起凶案……本片荣获2011年卢纹（Leuven）国际电影节最佳短片奖、2012年法国恺撒奖最佳短片奖。
主演：康斯坦斯·拉贝,蒂博·德·蒙塔朗贝尔,伊莲娜·瑟扎雷,索莱娜·里戈,Pierre-Yves,Bon,Sylvain,Saada
导演：Frédéric,Grivois
简介：Après la mort d'un saisonnier dans l'incendie d'une caravane dans une station de ski des Alpes, une gendarme de Lyon, originaire de la station, mène l'enquête avec un gendarme désabusé. 在阿尔卑斯山的一个滑雪胜地，一名季节性工人死于大篷车火灾后，一名来自里昂的宪兵，原本是该度假区的宪兵，与一名心灰意冷的宪兵一起领导调查。（来自DeepL翻译器，仅供参考）
主演：娜迪亚·特列什科维奇,Sofiane,Bennacer,路易·加瑞尔,米沙·莱斯科特,Clara,Bretheau,Noham,Edje,瓦西里·施耐德,伊娃·达尼诺,Liv,Henneguier,Baptiste,Carrion-Weiss,Léna,Garrel,Sarah,Henochsberg,奥斯卡·莱斯格,Alexia,Chardard,苏赞妮·林顿,伊莎贝拉·雷纳德,Bernard,Nissile,加布里埃尔·埃科菲,洛丽塔·夏马,玛丽莎·布鲁尼·特德斯基,玛丽莲·坎托,亚瑟·伊瓜尔,Eri
导演：瓦莱丽亚·布鲁尼·泰德斯基
简介：故事讲述在1980年代末，一群20岁怀抱表演欲的学生，为了追求梦想不计一切代价地想进入知名导演巴提斯谢侯任教的剧场学校。然而就在他们展开了热情又狂乱的校园生活后，爱情、友情考验接踵而来，不但急遽改变了这群年轻人的生活，也使得他们面临人生中从未想过的残酷悲剧。
主演：罗曼·杜里斯,维尔日妮·埃菲拉,格莱高利·嘉德波瓦,Solan,Machado,Graner,Elisa,Maillot,Morgane,Lombard,Bénédicte,Charton,Fabienne,Chaudat,Franck,Mercadal,Lucas,Bléger,François,Raffenaud,Marc,Susini,Pénélope,Montazel,Valentine,Montazel,Christian,Ameri
导演：雷吉斯·罗因萨尔
简介：该片改编自Olivier Bourdeaut撰写的同名小说，讲述一个年轻的男孩与父母住在巴黎的公寓中，父母每晚都伴着《Mister Bojangles》跳舞。当他的母亲完全陷入了自己的思想中，小男孩与父亲逃离了巴黎，前往西班牙的乡间别墅，他们这时才理解了有负担的人才是最光芒四射的。
主演：索菲·罗伊斯,乌多·基尔,米兰·赫尔姆斯,尼可拉斯·布里代
导演：尼科莱特·克雷比茨
简介：Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street ... “Irresistible” is the term that springs to mind when describing this light-footed and humorous story of an impossible love affair between a thief and a lady. Director Nicolette Krebitz handles the fragile balance between the dictates of society and the heart with great care. The fresh breath of freedom blows through a narrative that makes room for a nod to old West Berlin, some gentle teasing of Germany’s French neighbours, and even a ghost that is chased away to make way for new possibilities. But most of all, A E I O U is a passionate love letter to Sophie Rois and, perhaps through her, all the brilliant actors neglected by an industry all too fond of young blood. Well, it turns out that these young players, embodied here by newcomer Milan Herms, not only look up to their more experienced peers, they truly love them.
主演：达米安·勃纳尔,亚历克西斯·曼蒂,贾布里勒·宗加,伊萨·佩里卡,阿尔-哈桑·利,史蒂夫·蒂英楚,阿尔玛梅·卡诺特,尼扎·本·菲特玛,让娜·巴利巴尔,亚历山大·皮科特,罗曼·加夫拉斯,Raymond,Lopez,Luciano,Lopez,Jaihson,Lopez,Sana,Joachaim,Lucas,Omiri,Rocco,Lopez
导演：拉吉·利
简介：刚从瑟堡来的斯蒂芬，加入了巴黎93省圣德尼的“反犯罪特种部队”。在这里，他遇到了新队友克里斯和瓦达，两位经验丰富的警察。但他很快就感受到了这个街区不同帮派间剑拔弩张的紧张氛围。在一次出警的行动中，局面变得不可控制，而这个事件意外地被一架无人机记录下来，进而引发了更为剧烈的冲突。
主演：文森特·卡索,伊娃·格林,丹尼尔·弗朗西斯,Lyna,Dubarry,Aziz,Dyab,Cris,Haris,奥莉维亚·波皮卡,拉蒂·蒂亚,娜奥米·杨,Christopher,Sciueref,吉姆·斯图格恩,Marco,Horanieh,帕特里克·麦拉海德,尼科莱·金斯基,马克·基林,Julia,Westcott-Hutton,埃里克·吉安,彼得·穆兰,斯科特·汉迪,热拉尔·朗万,耶斯·利奥丹,蕾切尔·郭,Mark,Hampton,马丁埃利斯,让·巴普蒂斯特·菲永,黛博拉·罗桑,康纳·米尔斯,菲利平·
导演：斯蒂芬·霍普金斯
简介：文森特·卡索、伊娃·格林携手主演了Apple TV+首套原创英法双语剧集《纽带》(Liaison，暂译)，并发布首张剧照。该剧由斯蒂芬·霍普金斯([彼得·塞勒斯的生与死])执导，维吉妮·布拉克编剧，该剧是一套高风险题材的当代惊悚剧集，探索了我们过去的错误会如何摧毁我们的未来，将动作戏与不可预测的多层次情节相结合。
主演：安德丽娅·赖斯伯勒,詹森·艾萨克,欧嘉·柯瑞兰寇,史蒂夫·布西密,鲁伯特·弗兰德,阿德里安·麦克洛格林,杰弗里·塔伯,帕迪·康斯戴恩,迈克尔·帕林,理查德·布雷克,戴安娜·奎克,西蒙·拉塞尔·比尔,乔纳森·阿里斯,贾斯汀·爱德华兹,尼古拉斯·伍德森,卡拉·霍根,汤姆·布鲁克
导演：阿尔曼多·伊安努奇
简介：由苏格兰导演阿曼多·兰努奇（Armando Iannucci）执导的英语电影《斯大林之死》（The Death Of Stalin）近日开机拍摄，该片根据Fabien-Nury同名漫画改编，讲述了斯大林去世后苏共高层激烈的权力争斗。饰演斯大林的是美国演员阿德里安‧麦克洛格林（Adrian Mcloughlin），金球奖得主杰弗瑞·塔伯（Jeffrey Tambor）将饰演苏联领导人马林科夫，史蒂夫·布奇密（Steve Buscemi）将饰演赫鲁晓夫，前“邦女郎”奥尔加·柯瑞兰寇（Olga Kurylenko）将饰演苏联钢琴家玛丽亚·尤金娜（斯大林是在她钢琴唱片的伴奏下死去的），西蒙·拉塞尔·比尔（Simon Russell Beale）将饰演苏联二号人物贝利亚，鲁伯特·弗兰德（Rupert Friend）将饰演斯大林次子瓦西里。除此以外，加盟本片的还有杰森·爱萨克（Jason Isaacs）、托比·科贝尔（Toby Kebbell）等。斯大林是苏联历史上在位时间最长的最高领导人（1924——1953），在他的铁腕统治之下，苏联成为与美国相抗衡的超级大国。关于他的死一直存在各种阴谋论，官方给出的结论是中风导致的自然死亡，但也有人坚信他是被投毒害死的，而凶手就是克格勃（苏联情报机构）头子贝利亚。斯大林死后，苏联一度陷入群龙无首的状态，高层的政治斗争异常激烈。最终赫鲁晓夫等人扳倒了当时苏联实际上的二号人物——贝利亚。斯大林去世几个月后，贝利亚被作为西方间谍处以死刑。
主演：贾斯汀·朗,凯文·亚当斯,凯特·玛拉,杰森·格里菲斯,贝拉·哈德森,比伊·鲍勃·汤普森,维尔日妮·埃菲拉,马克·汤普森,艾莉森·雷·罗森菲尔德,朱丽叶·普瓦索尼耶,玛丽-夏洛特·勒克莱尔,Céline,Melloul,Jeanfi,Janssens,Anne,Tilloy,文森特·罗皮恩,Jérémie,Covillault,Didier,Gustin,Arnaud,Léonard,Alexandre,N'Guyen,Emmanuel,Curtil,劳丽·海姆斯
导演：Arnaud,Bouron,Antoon,Krings
简介：阿波罗（贾斯汀·朗 Justin Long 配音）是一只蟋蟀，同时也是一名正在流浪旅途中的艺术家。这一天，阿波罗来到了一片神秘的花园之中，阿波罗必须为获得留在这里的资格而付出努力，同时，阿波罗还要应付一心想要陷害他的黄蜂温蒂（劳丽·海姆斯 Laurie Hymes 配音）。 这一天，阿波罗邂逅了蜂后玛格丽特（凯特·玛拉 Kate Mara 配音），两人一起散步约会唱歌，好不快乐。哪知道，土匪飞蛾斯芬克斯（Ryan Nicolls 配音）带着他的爪牙绑架了玛格丽特，而温蒂则趁此机会谋权篡位，坐上了王座。为了救出玛格丽特，阿波罗挺身而出，和玛格丽特的一干好友们展开了和温蒂的周旋。
主演：亚当·德赖弗,玛丽昂·歌迪亚,西蒙·赫尔伯格,德温·麦克道维尔,罗恩·梅尔,罗素·梅尔,娜塔莉·杰克逊·门多萨,水原希子,诺米·沙伦斯,古馆宽治,福岛莉拉,伊娃·范·德·古奇特,Natalia,Lafourcade,Wim,Opbrouck,Ella,Leyers,亚矢乃,尼诺·波尔齐奥,克里斯蒂安·斯基宾斯基,Kevin,Van,Doorslaer,Lauren,Evans,Cindy,Almouzni,Julia,Bullock,Christiane,Tchouhan,Franziska,Grohma
导演：莱奥·卡拉克斯
简介：讲述一对好莱坞夫妇和他们的女儿安妮特的故事：丈夫亨利（亚当·德赖弗 Adam Driver 饰）是一位单口喜剧演员，妻子安则是一名歌剧明星（玛丽昂·歌迪亚 Marion Cotillard 饰），而他们神秘的女儿安妮特，又拥有怎样不同寻常的人生呢？
主演：苏珊娜·克莱蒙,欧莱雅·阿玛拉,Oulaya,Amamra,凯特·莫兰,Mounir,Amamra,Juliette,Cardinski,Pierre,Lottin,阿廖沙·施耐德
导演：本杰明·杜帕斯
简介：吸血鬼确实存在，就在此，在我们之中。今时今日在巴黎，玛莎·拉德斯库（苏珊·克莱门特 饰）的家人住在地下。但是，当16岁的多娜转变成一种新型的吸血鬼时，他们脆弱的平衡便开始破裂。半人半吸血鬼，多娜学着应对她的双重本性。 日间，她对于朋友们是个危险的存在。夜间，她独特的魅力又被吸血鬼群体垂涎。
主演：Charles,de,Gaulle,阿涅斯·瓦尔达
导演：阿涅斯·瓦尔达
简介：在海邊有一隻山羊、一個小孩和一個男人。這是 Varda 於1954年拍的一張照片：山羊死了、小孩叫尤里西斯、男人則裸著身體。以這一張固定的影像為基礎，電影發揮了它的想像力並探索真實。這段期間 Varda 正為國家攝影中心拍攝一個名為《一分鐘一個影像》（Une minute pour une image）的節目，以170個兩分鐘的短片去介紹著名的攝影師及其作品。 Varda 曰： 『為了拍《尤里西斯》，我去找了一幅過去的影像，一張1954年拍於海邊的照片，其中包括三個模特兒：一個裸體的男人、一隻死去的山羊和一個我非常喜歡的小男孩。在拍片的時後，我發現他並沒有如我所認為般地經歷了這件事。他忘了！他拒絕了這個回憶。在拍這部影片時，他所告訴我的、他所沒告訴我的，都曾是痛苦的。《尤里西斯》真的教會了我：影像會做的只是再現。它甚麼也沒說。會說的都是人們，看它和解說它的那些人們。』 與 Françoise Audé 對談，POSITIF, n°325, 1988年3月
主演：Grégory,Fitoussi,Caroline,Proust
导演：未知
简介：The celebrated French police series returns for a third season, darker and sharper than ever, in Spiral: The Butcher of La Villette. When the mutilated body of a young woman is found on a disused railway track in the North of Paris, Police Captain Laure Berthaud seizes the opportunity to restore a tarnished reputation and leads her squad on the hunt for what she believes to be a deranged serial killer. Delving into the mysterious recesses of a disturbed mind while investigating the harsh world of a prostitution ring, with her personal life in tatters and a potential rift emerging from within her own ranks, Berthaud's world is on the verge of disintegration. Meanwhile, Judge François Roban doesn't know how to win friends and influence people when he investigates a bribery scandal involving a prominent political figure. The impeccable career of Public Prosecutor Pierre Clément's falls into disrepute when his insistence on integrity makes him a pariah in the corridors of justice and ambitious barrister Joséphine Karlsson attempts to untangle herself from some dubious associations - with dangerous consequences. As reality spirals out of control for each character, the pace quickens, the narratives overlap and the boundaries between private and professional lives become increasingly blurred in this superbly taut thriller.